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Early on in the episode, Dan tells Serena, “This year’s gonna be a little quieter, I guess.” He’s, of course, very wrong, though no Thanksgiving could measure up to the drama of season 1 (see below). But how could the holiday not be dramatic? Jenny Humphrey has left home and is trying to emancipate herself from her parents (because fashion, duh); Dan is spilling the news to Serena’s new (and newly sober) boyfriend Aaron Rose (Cyrus’s son, because of course) about her sordid partying past; and Nate is hanging out with his father, who is on the run from the FBI and trying to scam his family into joining him in Dominica. pull mademoiselle In using your platform, how important is it to both of you to put other women of color on and also give them the chance?SW: pull mademoiselle Yeah. The first song is the title track. It's the one that is exclusively produced and written by me. The ones I worked with some friends and my keyboardist in my band. This was in my bedroom. It's called "Heavy Heart". It's like, "heavy hearts fall faster, every hurt lasts longer." That was the idea, that every experience I have usually ends up in my music. Even if it's really subtle, like having a conversation with someone at a bar, I will write it down and then it will make its way into my music. Sometimes that's caused rifts in my friendships. I've written songs about people that they know are about them. Not in a negative way, just more like when I feel a certain emotion real deeply, it has to find life somewhere. pull mademoiselle If nobody knows that a certain issue is happening, nothing's going to change. If nobody is willing to have these uncomfortable conversations, nothing's going to change. A big part of getting stuff done is having conversations. If you want to do something, you should go to your friend or your mom or somebody that you know and you should have a conversation with them. If they don't know what pull mademoiselle