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I think that really like affects set and the gaze of the show, right? Even if you have a show that is about queer people and women and people of color, if you have all white men working on it, that changes the way the story is told. It changes the way the camera is shot. It changes the music you put in, and having the kind of diversity we did, we were able to kind of really embed that diversity throughout. Whether it was what we made the music, or the art that was on the walls, or who we decided to put before of camera, including the story that was being told. And I think that that's like a really kind of important part of like the kind of whole overall vision of the series.TV: off white unlv This decade, sea level rise around Houston is projected to reach two feet, enough to inundate much of nearby Freeport and Jamaica Beach. That extra water will mean that hurricanes, when they strike, will delivermore powerful floodsto coastal areas. off white unlv is either a female or a person of color and/or a mixture or an intersection of that, and that's the way I've always done my films. Also, [it affected] the energy on set. Like we shot the entire thing, including post-production, for $20,000. It was a very like bare bones like type of thing, and we did a lot of stuff on favors. But, I had the most fun on that set, and I think it's because everyone felt super invested in the series and in the story they were getting the chance to tell. Like often there were people being like, "I don't get to tell that part of my life when I'm on a set that's so heavily male, straight, white-dominated", you know?FA: off white unlv in the series? Is that something you guys try to do at all?FA: off white unlv