Throughout her work, Rooney is a keen observer of class, privilege, and politics: the subtle things that reveal these aspects of life (Connell’s ratty shoes and Adidas sweats are noted multiple times) and the ways we use them against one another as a weapon (Connell teases Marianne about her boyfriend’s student group giving neo-Nazis a platform under the guise of “free speech,” while Gareth himself is the kind of person who complains about serving champagne in the wrong kind of glass). Less clear, it seems, is whether this type of jockeying for superiority is the kind of world anyone should live in. Marianne seems comfortable in a way she didn’t back home. But is she any better off? There are three new things to keep an eye out for when it comes to the highly anticipated suit (at least for now). Expect the web shooter to reach a whole new level, brace yourself for webwings film wasn’t between the Cap and Peggy Carter’s niece, but thebromance he had with best friend Bucky Barnes. What makes Rooney's voice distinctive, and gives her a claim to speaking for young people today, is something decidedly offline: It’s the private lives of her characters, what’s going on in their heads as they sort through the trials of youth, discovering who you are and what made you that way, that feel uniquely of-the-moment and eternally universal, all at once.