A big thing for me was that we have to talk about race on the show. These are not just trans characters: All of the girls on our show are black girls — some of them have intersections of being Latina or Hispanic — but they’re all black girls. The ballroom is a black and brown space before it’s a trans and queer space. So you can’t just say we have this great trans and queer show, you have to add in the layer of the race stuff. Those are conversations that I don’t think were as sharp and as centered until I stepped into the room and Steven had a co-conspirator. The conversation shifted because the room was balanced a little bit more. I had to be very clear that a white trans girl’s experience is very different than a black trans girl’s experience — especially a black trans girl that’s struggling with economic resources in 1980s New York City. So we gave Elektra more pointed lines about whiteness, or Angel started calling Stan a white suburban boy. We had to put that stuff in there.Courtesy of FX/Pose adida slip on In your wildest dreams, what does your career look like to you in the future?SC: adida slip on The role I take on next in whatever movies or series that I'm lucky enough to be a part of, [I hope] is informed by working with female directors, the Greta Gerwigs of the world. Growing up I would sit in front of my TV and watch Cher’s world tour, Barbra Streisand, because they were women who did it all. They had careers, they’re Oscar nominees, Grammy winners, philanthropists. In terms of music, one dream that I have left to fulfill is [to] go on a world tour with my own music. adida slip on The Academy of Motion Picture Arts and Sciences, better known as just the Academy, might actually be doing something about its lack of diversity (remember the#OscarsSoWhite adida slip on
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| Time: | 2026-10-31 14:02:04 |