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I remember the day I chose to come into my truth. The day I began to question hundreds hours in my AP history classes. I was eighteen-years-old visiting New Orleans for the first time and seeing that even three years after Hurricane Katrina, not a damn thing had been done to help the community. The power of history is that it provides the tools we need to know ourselves. Our past informs who we are now. But as a Black woman in America I wasn’t given that privilege. The American school system gave me the tools to build the master’s house;A Mis-Education of Lauryn Hill terrex two By calling slaves “immigrant workers,” the education system is attempting to distort the reality of racial inequality in America. So let me make this very clear, Black people experienced unrelenting subjugation in America the second the first ship filled with my shackled ancestors touched the Eastern Seaboard. And to deny that reality is to deny why Black people and their allies have the right to strategize and mobilize in resistance and social change until equality and reparations manifest. So when Lauryn sings: "I wrote these words for everyone who struggles in their youth / Who won't accept deception, instead of what is truth / It seems we lose the game / Before we even start to play / Who made these rules? (Who made these rules?) / We're so confused (We're so confused) / Easily led astray" — I am reminded of the fact that history is mutable. Written by whiteness. terrex two The American Petroleum Institute followed this tack when itlauncheditsPower Past Impossible terrex two These polar-opposite examples manifest themselves within the lyrics of "To Zion", “How beautiful if nothing more/ Than to wait at Zion's door / I've never been in love like this before,” versus "Ex-Factor's" “It could all be so simple / But you'd rather make it hard / Loving you is like a battle / And we both end up with scars.” These two songs in dichotomy have illustrated the stable love I have for my family versus my beautifully agonizing romances. terrex two